Archive – Bromley Symphony Orchestra

These pages contain programmes and recordings of most of our recent performances. In addition, a list of every piece we have performed since 1960 is on the repertoire page and a history of the orchestra is on the about page.

Many of the sound recordings in this archive were recorded by students on the Tonmeister course at the University of Surrey, for which we are very grateful. Note that explicit approval is required for any photography or recordings, since we must have the consent of everyone involved and pay any extra fees incurred.

Click the programme covers to download the complete programme in PDF format. You can use a browser plugin such as Video & Audio Downloader to download audio and video recordings (start playing the recording to make it appear in the list).

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Saturday 19 January 2002 at 7:45pm

Vaughan Williams Fantasia on a theme of Thomas Tallis

In the rich writing for double string orchestra and string quartet, we are simultaneously listening to something very old and new. First performed in Gloucester cathedral in 1910, the Fantasia is based on a hymn in the Phrygian mode contributed by Tallis to Archbishop Matthew Parker’s Psalter of 1567.

Haydn Sinfonia Concertante

Violin Bernard Brook, Cello Alice McVeigh, Oboe Sara Grint, Bassoon Stephen Fuller.

The delightful Sinfonia Concertante gives a showcase for our ‘home’ team of BSO soloists. It was composed in London in 1792 where Haydn also produced his last 12 symphonies, as well as arranging British folk-songs.

Bruckner Symphony No. 4

The first, and most popular, of his great major key symphonies, Bruckner called this majestic work in E-flat ‘The Romantic’, the only time he used a descriptive sub-title.

Saturday 10 November 2001

Tchaikovsky Capriccio Italien

Tchaikovsky was captivated by his stay in Italy in the winter of 1879-80. His popular Italian caprice begins with a trumpet call he heard every evening from barracks near his hotel in Rome.

Mendelssohn Italian Symphony

Arguably the most melodic of the five symphonies, the fourth was finished in London in 1833 after travels in Italy 1830-31.

Holst The Perfect Fool Ballet Suite

Gloucestershire-born Gustav Holst parodies other composers in his one-act comic opera, first produced in London in 1923. In the ballet music, published separately in 1920, we hear the dances of the magical spirits of Earth, Water and Fire.

Respighi The Pines of Rome

Respighi’s portrayal of Rome’s pines brings to life pictures of children playing, a mysterious catacomb, a night scene with a nightingale’s song, and a ghostly approaching Roman army marching down the Appian Way.

One of three symphonic poems evoking the city of Rome, Respighi uses bold orchestral colours he developed studying with Rimsky-Korsakov during visits to Russia 1900-03.