These pages contain programmes and recordings of most of our recent performances. In addition, a complete list of every piece we have performed since 1960 is on the repertoire page.
Many of the sound recordings in this archive were recorded by students on the Tonmeister course at the University of Surrey, for which we are very grateful. Note that explicit approval is required for any photography or recordings, since we must have the consent of everyone involved and pay any extra fees incurred.
Saturday 25th January 2020 at 19:30
Vaughan Williams Symphony No 6 Tchaikovsky 3rd Orchestral Suite Our second concert begins with Mozart’s effervescent Overture to the Magic Flute, followed by Vaughan Williams’ deeply felt Sixth Symphony. The programme concludes with Tchaikovsky’s vivid and lyrical Third Orchestral Suite. |
Saturday 9th November 2019 at 19:30ADRIAN BROWN 40TH ANNIVERSARY CONCERT
To launch Adrian Brown’s 40th Season with Bromley Symphony Orchestra, the programme for our first concert is a repeat of Adrian’s first concert with us in 1980. Berlioz’s thrillingly vital overture Le Corsaire is followed by Brahms’ eloquent Violin Concerto, with Michael Foyle, one of the UK’s finest violinists, as soloist. The only departure from the 1980 concert is the glowing work Proem composed by John Senter, an old friend of Adrian’s, from our composers’ competition. We conclude this celebration with Sibelius’ expansive and aspirational Fifth Symphony. |
Saturday 18th May 2019 at 19:45Centenary Finale
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Saturday 16th March 2019 at 19:45
Reed Symphony for Strings Strauss Ein Heldenleben Elgar’s rollicking recreation of Edwardian London leads into the tuneful Symphony for Strings by his friend, the long-term LSO leader and Bromley Symphony conductor William (‘Billy’) Reed. Ein Heldenleben, Strauss’ autobiographical, lavishly romantic and richly-textured tone poem, showcases our own leader, Andrew Laing, in the second half. Reed – Symphony for Strings |
Saturday 26th January 2019 at 19:45
Beethoven Piano Concerto No 1 in C major Mahler Symphony No 1 in D major Mozart’s small-but-perfectly-formed Symphony 32 precedes the internationally renowned John Lill, who joins us in Beethoven’s First Piano Concerto. Then, Mahler’s monumental First Symphony (the ‘Titan’), which exemplifies his comment: ‘To write a symphony is, for me, to construct a world.’ Mahler Symphony No 1 in D major |
Saturday 10th November 2018 at 19:45
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Composition Competition
Europa by Marco Muilwijk This work was performed as part of our May 2019 concert. We are very grateful to our adjudicator Paul Patterson for the many hours he donated to this project. The orchestra members voted for Bacchanal by James Maunders and we will perform this in March 2020. Proem by John Senter will be performed in our November 2019 concert. We received more than 30 entries, thank you! We are very grateful for the considerable time and effort that went into preparing each of them. The other shortlisted finalists were:
The rehearsal recordings made of each of the finalist’s works are below. Europa by Marco Muilwijk Bacchanal by James Maunders Proem by John Senter Bromleag by Robert Ely Kent Invicta by Philip Steel |
Saturday 19th May 2018 at 19:45
Roy Harris Symphony No 3 Holst Suite ‘The Planets’ Following Bernstein’s scintillatingly offbeat overture to Candide, we present an underrated masterpiece, Harris’ magnificently energetic, occasionally brooding yet always glorious (single-movement) Third Symphony. We follow this with the mercurial Holst’s self-described ‘mood pictures’ – his Herculean tour de force, The Planets. Bernstein Overture ‘Candide’
Roy Harris Symphony No 3
Holst Suite ‘The Planets’ |
Saturday 10th Mar 2018 at 19:45
Smetana Overture: ‘The Bartered Bride’ Tchaikovsky Violin Concerto Shostakovich Symphony No. 15 Smetana’s Bartered Bride overture is sheer orchestral effervescence – with a Slavic twist. Tchaikovsky’s eloquent violin concerto features prizewinning violinist Anna-Liisa Bezrodny on her Amati violin. The second half consists of one of Shostakovich’s quirky masterpieces, his 15th symphony. Side-swiped excerpts from William Tell in the first movement, evocative violin and cello solos and ghostly brass chorales in the second, plus a sardonic scherzo, are superseded by a finale echoing some of the most stirring moments from Wagner’s Ring and a sense of utter completion. |
Saturday 27th Jan 2018 at 19:45
Vaughan Williams Oboe Concerto Strauss Suite from ‘Der Rosenkavalier’ Nielsen’s 3rd Symphony (the ‘Espansiva’) is light and joyous – not ‘typical’ Nielsen at all. Its famous slow movement, which Nielsen himself described as a ‘landscape Andante,’ uses offstage solo voices to marvellous effect. Vaughan Williams then provides a virtuoso showpiece for principal oboist Caroline Marwood. A folk music-inspired pastorale is followed by a delicate minuet, while the finale is almost a perpetuum mobile – interrupted by some stunningly lyrical passages. The Rosenkavalier suite excerpts moments of Strauss’ greatest masterpiece, including the ‘Presentation of the Rose’ scene, and the most richly textured of the opera’s several waltzes. It concludes with the powerful trio for the Marschallin, Octavian and Sophie – and by the languorous final duet. Not to be missed! |
Mozart Overture to The Magic Flute 
Mozart Symphony No 32 in G Major 
Our composition competition has now ended and the winner is:
Bernstein Overture ‘Candide’ 
Nielsen Symphony No.3