Archive

These pages contain programmes and recordings of most of our recent performances. In addition, a complete list of every piece we have performed since 1960 is on the repertoire page.

Many of the sound recordings in this archive were recorded by students on the Tonmeister course at the University of Surrey, for which we are very grateful. Note that explicit approval is required for any photography or recordings, since we must have the consent of everyone involved and pay any extra fees incurred.

1 2 3 4 5 6 7 8 9

Saturday 11th March 2006 at 7:45pm

Sir Edward Elgar

Sir Edward Elgar

‘The Composer’s Inspiration’

Bach (arr Elgar) Fantasia & Fugue in C Minor

Anthony Payne “Spring’s Shining Wake”

Elgar (realized Payne) Symphony No. 3

The idea of this very colourful orchestration of Bach’s great organ work came from a meeting between Elgar and Richard Strauss. After the death of his wife in 1920, many believed that Elgar’s inspiration had faded. However, reviewing the sketches for Elgar’s unfinished last symphony, Anthony Payne found the music ‘leapt from the page’ for his acclaimed and deeply satisfying completion which he will be introducing at this concert. We celebrate Payne’s own 70th birthday with a performance of his serene work, which was inspired by Delius’s ‘In a Summer Garden’.

Saturday 21st January 2006 at 7:45pm

Pyotr Ilyich Tchaikovsky

Pyotr Ilyich Tchaikovsky

‘Darkness into Light’

Sibelius “Pohjola’s Daughter”

Shostakovich Violin Concerto No. 1
    soloist – Alex Afia

Tchaikovsky “The Nutcracker” Ballet – Act 2

Sibelius’s overture tells a story from Finland’s epic poem ‘The Kalevala’ in which an old magician tries to woo an alluring, beautiful maiden. We welcome Shostakovich’s Centenary year with this concerto, which begins darkly with driving energy, and after a subdued slow movement with one of his warmest melodies, ends in a festive finale. By contrast Tchaikovsky’s ‘Nutcracker’ offers a fairy tale entertainment with charming and popular dance music.

Saturday 19th November 2005 at 7:45pm

Gustav Mahler

Gustav Mahler

‘The Sounds of Nature’

Mahler Symphony No. 3

with “The Carroll Singers” and Trinity Boys’ Choir
    mezzo soprano – Miriam Power

In Mahler’s romantic vision ‘a symphony is like the world, it must contain everything’. His third symphony, written at his retreat in the Austrian Alps in 1893-4, was first titled ‘A Summer Morning’s Dream’ and is a wonderful orchestral pageant of nature and human experience. It includes a sublime movement for soloist and chorus, and ends in an exultant finale ‘What Love Tells Me’.

Saturday 14th May 2005 at 7:45pm

Shlomy Dobrinsky BerliozOvertureLe Corsaire’

Brahms Violin Concerto
    soloistShlomy Dobrinsky

Prokofiev Symphony No. 5

Le Corsair is a concert showpiece, with the swashbuckling pirate, swift and brilliant in adventure, calmed with beautiful expressive melody, providing images of Berlioz’s own passionate personality. In more reflective style, Brahms’s Violin Concerto is full again of lovely melody and rich orchestration, in a work written for his great friend and adviser Joseph Joachim. Finally, a world away in war-torn Soviet Russia, written by Prokofiev in 1944 the Symphony No.5 is a glittering and heroic work, full of sharp wit and flowing song-lines, contending with powerful external forces.

Saturday 19th March 2005 at 7:45pm

Franz Schubert Glinka OvertureRuslan and Lyudmila’

Tippett Ritual Dances from ‘A Midsummer Marriage’

Schubert Symphony No. 9 – (‘Great C major’)

Glinka’s overture to his opera Ruslan and Lyudmila is full of sweeping melodies and driving rhythms, describing the battle against sorcery to win the hand of an enchanted princess. In Michael Tippett’s opera The Midsummer Marriage, the lovers’ path is also attended by magic, portrayed in the Ritual Dances of the seasons, ending with a rapturous climax in the summer fire-dance. The last work, Schubert’s ‘Great’ Symphony No. 9, of striking rhythmic vitality and sheer lyrical beauty, was famously described as ‘heavenly length’ by Schumann.

Saturday 22nd January 2005 at 7:45pm

Sir Edward Elgar Walton OvertureScapino’

Bliss BalletSuiteCheckmate’

Elgar ‘Falstaff’ – A Symphonic Fantasy

Scapino, a servant in the Italian Art of Comedy, is the subject of one of Walton’s most popular works. It opens in a blaze of bright light and high spirited mischief, leading on to Scapino the lover in a serenade, before more escapades. The ballet Checkmate by Arthur Bliss (later knighted and Master of the Queen’s Music) depicts a contest on the chessboard between good and evil, through music of fantasy and harmonic freshness. Elgar’s symphonic poem Falstaff takes us back to the theatre, with a portrait of Shakespeare’s larger than life character, a chancer, charmer and braggart, ultimately broken hearted in his rejection and death.

Saturday 13th November 2004 at 7:45pm

Richard Strauss MozartSymphony No. 39

Richard Strauss ‘Ein Heldenleben’ (‘A Hero’s Life’)

Our first concert of the season contrasts the classical elegance of Mozart with the extravagant expression of Richard Strauss. Of Mozart’s last three symphonies, No 39 is least played, a work of inspiration, joyful exuberance and sombre introspection, that can still surprise and delight. In A Hero’s Life Strauss portrays his life as an epic struggle, between his inner life and love for his wife Pauline, a famously temperamental singer, and the outer world, battling for understanding and recognition of his work against his adversaries – the critics!

Saturday 15th May 2004

Franck Le Chasseur Maudit

Bruch Scottish Fantasy

Dvořák Symphony No. 9 From the New World opus 95 in E minor

Antonin Dvorak

Franck vividly depicts an “accursed huntsman” who is damned because he goes hunting on a Sunday. The ‘Scottish Fantasy’ is Bruch’s “other” great work with solo violin, and incorporates portions of Scottish folk tunes in each of its four movements. To finish our season we celebrate the centenary of Dvorák’s death in the best possible way, by performing the ‘New World’, his most famous and popular composition.

Saturday 20th March 2004

Dvořák Serenade op 44 in D minor

Wagner Wesendonk Lieder

Vaughan Williams Symphony No. 3 (Pastoral)

Ralph Vaughan Williams

Dvořák’s D minor Serenade is one of the really great works in the repertoire for wind ensemble. We are delighted to welcome back Malmfrid Sand to sing the Wesendonk Lieder. Wagner had an intense relationship with the German poet and writer Mathilde Wesendonk, and set five of her poems to music. A wordless soprano also features in the last movement of the ‘Pastoral’ Symphony, which is close to the spiritual centre of Vaughan Williams and has intense passions running deep below its largely dispassionate surface.

Saturday 24th January 2004

Sibelius Symphony No. 7

Nielsen Flute Concerto Burak Besir Flute

Beethoven Symphony No. 2 op 36 in D Major

Ludwig van Beethoven

Two contrasting symphonies sandwich Nielsen’s delightful concerto, which has been described as “piquant, fluent and with no dearth of humour”. Beethoven’s Second Symphony is very much an example of pure “classical” style, whereas Sibelius described his own later works as offering the public “pure cold water”, while other composers were engaged in manufacturing cocktails.

Burak Besir (flute) is a 2003 winner of The Philip and Dorothy Green Award for Young Concert Artists. This scheme, run by “Making Music” (formerly known as the National Federation of Music Societies) has been instrumental in launching the careers of many of today’s stars. Burak Besir was born in Cyprus. After early training in Cyprus and Ankara, he moved to the UK and took his MMus Performance Degree at the Royal Scottish Academy of Music and Drama. He has given recitals in Cyprus and Istanbul as well as in England.